Who painted The Resurrection?

The Resurrection was painted by Jacques Callot in 1628.

Where can I see The Resurrection?

The Resurrection is held by National Gallery of Art.

What movement is The Resurrection?

The Resurrection is associated with Renaissance.

Artwork

The Resurrection

Jacques Callot , 1628

The Resurrection is an ink print by the Renaissance artist Jacques Callot. It dates from 1628 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created circa 1628, *The Resurrection* is a print by French Baroque artist Jacques Callot. Executed on laid paper through a combination of etching and engraving, the image portrays the biblical moment of Christ’s rising from the dead, rendered with the intricate line work characteristic of Callot’s oeuvre.

Subject & Meaning

The composition centers on the risen Christ, suspended in the air amid clouds and a radiant aura, clutching a flag that signals triumph over death. Below, three figures—one prone on the ground—react to the miraculous event, emphasizing the contrast between divine victory and human astonishment.

Technique & Style

Callot employs fine hatching and cross‑hatching to generate depth, texture, and a sense of movement. The interplay of etched lines and engraved details creates a layered surface that conveys both the ethereal light surrounding Christ and the tangible ground beneath the onlookers, exemplifying the artist’s skill in manipulating line for dramatic effect.

History & Provenance

A prolific draftsman, Callot produced over 1,400 prints documenting religious narratives, contemporary life, and military subjects. *The Resurrection* belongs to this extensive body of work and reflects his engagement with biblical themes during the early 17th century, a period when he was active in the Duchy of Lorraine.

Context

The print emerges from the Baroque era’s emphasis on theatricality and emotional intensity. By combining meticulous landscape details with a dynamic portrayal of a sacred event, Callot aligns with the period’s artistic goals of engaging viewers through vivid, narrative-driven imagery.