Snowy landscape at Eragny with an apple tree

Characterized by quick, loose brushstrokes, the work employs a predominantly pale color palette with touches of pinkish hue in the sky, blending Impressionist spontaneity with the emerging Neo-Impressionist approach Pissarro adopted in his later career.

Created in 1898, during Pissarro's Neo-Impressionist phase, influenced by collaborations with Georges Seurat and Paul Signac, the painting is now part of the Fitzwilliam Museum's collection.

Reflecting Pissarro's evolution from his early training under Courbet and Corot, this work situates itself at the crossroads of Impressionism and Neo-Impressionism, capturing the transition in the artist's technique and style.