Artwork

Fernando III El Santo

Fernando III El Santo, by Carlos Múgica y Pérez, oil, 1850
Fernando III El Santo, by Carlos Múgica y Pérez, oil, 1850

Fernando III El Santo is an oil painting by Carlos Múgica y Pérez. It dates from 1850 and is held in the collection of the Museo del Prado.

About this work

Overview

This oil painting, created circa 1850 by Carlos Múgica y Pérez, portrays a regal figure adorned with symbols of sovereignty. The work is part of the collection at the Museo del Prado.

Subject & Meaning

The subject, likely Fernando III El Santo, is depicted in attire emblematic of kingship: a red robe with gold trim, a blue cape, and a tall, detailed crown. He holds a sword and an orb adorned with a cross and coat of arms, conveying themes of power, authority, and possibly religious allegiance.

Technique & Style

The painting features a contrast of vibrant, golden accents against a somber, dark interior backdrop, suggesting a church or palace. The level of detail, particularly in the crown and orb, highlights the artist's attention to symbolic elements.

History & Provenance

Created in the mid-19th century, the painting's history prior to its acquisition by the Museo del Prado is not detailed here. Its presence in the museum's collection indicates its recognition as a work of historical and artistic value.

Context

The work reflects the 19th-century interest in historical and religious figures, with the choice of Fernando III possibly tying into national or religious revival themes of the time.

Legacy

As part of the Museo del Prado's holdings, the painting contributes to the institution's collection of royal portraits, offering insight into the representation of power and religious symbolism in 19th-century Spanish art.

Artist & collection

Artist

Carlos Múgica y Pérez

Carlos Múgica y Pérez (1821–1892) was an artist, born in Villanueva de Cameros.

Museo del Prado

Museum

Museo del Prado

Continue through works from the same source collection.

This work is in the public domain (CC0). Image source: Museo del Prado open access. Spotted an error in this record? Tell us.