Pluvier was painted by Carven in 1960.

Where can I see Pluvier?

Pluvier is held by Palais Galliera - Musée de la Mode de la Ville de Paris.

Artwork

Pluvier

Carven , 1960

Pluvier is a drawing by Carven. It dates from 1960 and is held in the collection of the Palais Galliera - Musée de la Mode de la Ville de Paris.

About this work

This drawing shows a woman in a loose, patterned outfit—dark blue and brown squares on a matching jacket and pants.

This drawing shows a woman in a loose, patterned outfit—dark blue and brown squares on a matching jacket and pants. Her hair is short and curly, and she’s wearing simple earrings. The lines are quick and sketchy, with some smudges and light shading on the right side.

The outfit looks like something from the mid-20th century, with a relaxed, modern fit. The artist signed it "Pluvier" in the corner, but the name might not be the person who wore the clothes.

If you like this style, check out womenswear from the same era for more details.

Overview

Pluvier is a drawing created by Carven around 1960, currently housed at the Museum of Ethnography.

Subject & Meaning

The work depicts a woman wearing a loose, patterned outfit consisting of dark blue and brown squares on a matching jacket and pants, complemented by short curly hair and simple earrings. The subject's name, 'Pluvier', signed in the corner, may not necessarily correspond to the individual portrayed.

Technique & Style

Characterized by quick, sketchy lines, smudges, and subtle shading (notably on the right side), the drawing exhibits a spontaneous, modern aesthetic reflective of mid-20th-century fashion sensibilities, particularly in its relaxed fit.

History & Provenance

Created circa 1960 by Carven, the artwork is part of the Museum of Ethnography's collection. Detailed provenance prior to its museum acquisition is not specified.

Context

The outfit's design aligns with mid-20th-century womenswear trends, suggesting the drawing may have been inspired by or documenting the fashion of its time.

Legacy

While specific influence or notable exhibitions are not highlighted, the piece remains a documented example of Carven's work from the 1960s, preserved within a broader ethnographic collection.