Artwork
Mimi as a Brunette

Mimi as a Brunette is an ink print by the Impressionist artist Mary Cassatt. It dates from 1889 and is held in the collection of the National Gallery of Art.
About this work
Overview
Created circa 1889, *Mimi as a Brunette* is a dry‑point drawing on laid paper by Mary Cassatt. The work captures a momentary pose of a woman seated, her arm resting on a chair back, hair pulled back, and gaze directed away from the viewer. The composition is rendered with swift, gestural lines that vary between loosely sketched areas and more sharply defined sections.
Subject & Meaning
The figure represents a domestic scene, a recurring theme in Cassatt’s oeuvre that explores everyday moments in women’s lives. By depicting the sitter in a relaxed, introspective posture, the image hints at the private, unguarded aspects of female experience, aligning with Cassatt’s broader interest in the nuanced relationships within the home.
Technique & Style
Cassett employed dry‑point, incising the image directly into the paper surface with a metal needle. This method yields characteristic ragged, velvety lines that convey immediacy and texture. The drawing’s loose, rapid strokes suggest a study rather than a finished piece, emphasizing expressive gesture over meticulous finish.
History & Provenance
An American expatriate in late‑19th‑century Paris, Cassatt moved within the circle of Edgar Degas and participated in several Impressionist exhibitions. *Mimi as a Brunette* reflects the period’s collaborative atmosphere and Cassatt’s position as a leading figure among the expatriate artists who brought American perspectives to the French avant‑garde.
Artist & collection
Artist
Mary Stevenson Cassatt (; May 22, 1844 – June 14, 1926) was an American painter and printmaker.










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