Artwork

Still Life with Rayfish

Still Life with Rayfish, by Chaïm Soutine, unspecified, 1923
Still Life with Rayfish, by Chaïm Soutine, unspecified, 1923

Still Life with Rayfish is an unspecified painting by Chaïm Soutine. It dates from 1923 and is held in the collection of the Cleveland Museum of Art. The canvas presents a gutted ray suspended upside‑down across its upper third, its interior exposed and spilling outward.

About this work

Overview

The canvas presents a gutted ray suspended upside‑down across its upper third, its interior exposed and spilling outward. Beneath it rests a dented kettle that appears to turn away from the carcass. The palette is dominated by heavy washes of red, white and a pallid yellow, applied in thick, uneven strokes that give the surface a tactile quality.

Subject & Meaning

The exposed fish, rendered with a sense of anguish, serves as a stark symbol of suffering, evoking a human emotional response despite being an animal carcass. The juxtaposition of the lifeless creature with the inert kettle suggests a tension between vitality and abandonment, inviting interpretations that link the scene to personal hardship or broader existential themes.

Technique & Style

Soutine employs a vigorous impasto technique, laying paint in dense layers that protrude from the canvas like sculptural relief. Brushwork is loose and expressive, allowing colors to blend and bleed into one another, creating a sense of movement within the static composition. The overall effect is raw and unrefined, emphasizing texture over precise detail.

History & Provenance

Created during Soutine’s Parisian period, the work reflects his departure from his early life in a modest Orthodox Jewish community in present‑day Belarus. The painting remained in private collections for several decades before entering a public museum inventory in the early twenty‑first century, where it has been displayed as part of exhibitions on early twentieth‑century expressionism.

Context

Unlike the conventional still‑life motifs of fruit or flowers, Soutine repeatedly chose slaughtered animals as subjects, highlighting their fragility and the violence inherent in their demise. This choice aligns with his broader artistic focus on the physicality of the body and the emotional weight of loss, themes that recur throughout his oeuvre from the 1910s onward.

Artist & collection

Portrait of Chaïm Soutine

Artist

Chaïm Soutine

Chaïm Soutine (French: ; Russian: Хаим Соломонович Сутин, romanized: Khaim Solomonovich Sutin; Yiddish: חײם סוטין, romanized: Chaim Sutin; 13 January 1893 – 9 August 1943) was a French painter of Belarusian-Jewish…

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.