Artwork
Palpitation
Palpitation is a drawing by Charles West Cope. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Charles Cope’s 1850 drawing *Palpitation* serves as a preparatory study for a larger painted work bearing the same title. Executed in graphite, the piece captures a half‑length portrait of a woman, focusing on the arrangement of her head, shoulders, and a thoughtful pose that would inform the final composition.
Subject & Meaning
The figure is presented in a three‑quarter turn, her hair gathered back and her right hand resting lightly on her chin. Her gaze falls downward, suggesting a moment of private reflection. The subdued expression, delicate facial features and the contemplative posture convey an intimate, introspective mood.
Technique & Style
Cope employed fine cross‑hatching to build tonal variation, creating soft, muted shadows that model the form without harsh contrast. The layering of intersecting lines produces a subtle depth, while the overall handling remains gentle, emphasizing the dreamy atmosphere of the study.
History & Provenance
Created as a preparatory work in 1850, the drawing was likely kept by the artist until the completed painting was finished. It later entered a private collection before being acquired by a museum, where it is displayed as an example of Cope’s preparatory process.
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Artist & collection
Artist
Charles West Cope (28 July 1811– 21 August 1890) was an English, Victorian era painter of genre and history scenes, and an etcher. He was responsible for painting several frescos in the House of Lords in London.
