Artwork

The ressurrection. Sketch for an altarpiece

The ressurrection. Sketch for an altarpiece, by Christoffer Wilhelm Eckersberg, oil, 1830
The ressurrection. Sketch for an altarpiece, by Christoffer Wilhelm Eckersberg, oil, 1830

The ressurrection. Sketch for an altarpiece is an oil painting by the Neoclassicist artist Christoffer Wilhelm Eckersberg. It dates from 1830 and is held in the collection of the Statens Museum for Kunst.

About this work

The artist has used chiaroscuro to create a sense of depth and contrast in the painting, with the light source coming from the left side of the image.

This painting depicts a scene from the Resurrection, with Jesus standing in the center, wearing a white robe and holding a cross. He is surrounded by three people, two of whom are kneeling and one lying on the ground. The background is a dark, rocky area, with a doorway visible behind Jesus.

The artist has used chiaroscuro to create a sense of depth and contrast in the painting, with the light source coming from the left side of the image. This technique helps to draw the viewer's attention to Jesus and the figures surrounding him.

The painting is a sketch for an altarpiece, created by Christoffer Wilhelm Eckersberg in 1830. It is held at the Statens Museum for Kunst. To learn more about the artist's use of chiaroscuro, look up the technique.

Overview

Christoffer Wilhelm Eckersberg's 'The Resurrection: Sketch for an Altarpiece' is a 1830 oil painting held at the Statens Museum for Kunst. It is a preparatory study for an altarpiece, exemplifying Eckersberg's contribution to the Danish art scene.

Subject & Meaning

The painting depicts the Resurrection scene, with Jesus at its center, wearing a white robe and holding a cross, surrounded by three figures in a dark, rocky environment. A doorway is visible behind Jesus, adding to the scene's narrative depth.

Technique & Style

Eckersberg employed chiaroscuro to create depth and contrast, with a light source emanating from the left. This technique highlights Jesus and the surrounding figures, underscoring their significance in the composition.

History & Provenance

Created in 1830, the painting is a product of Eckersberg's work during the early 19th century, a period significant to the Golden Age of Danish Painting.

Artist & collection