Artwork
Untitled

Untitled is an ink print by Claes Oldenburg. It dates from 1973 and is held in the collection of the Museum of Modern Art.
About this work
Overview
Created in 1973, this untitled work by Claes Oldenburg merges screenprint and lithographic processes. It appears as a stark black‑and‑white image depicting a head and shoulders rendered in white line work against a dark field, with incidental scribbles and a patterned shirt motif. The piece belongs to a larger mixed‑media portfolio that juxtaposes various print formats.
Technique & Style
The composition employs both screenprinting, which allows for bold, uniform areas of ink, and lithography, which provides finer line control.
The composition employs both screenprinting, which allows for bold, uniform areas of ink, and lithography, which provides finer line control. The contrast between the crisp white outlines and the surrounding black background highlights Oldenburg’s interest in graphic simplicity and spontaneous mark‑making, while the occasional squiggles suggest a gestural, hand‑drawn quality within the print medium.
Context
During the early 1970s Oldenburg was primarily recognized for his large‑scale sculptural reproductions of everyday objects. This print series, however, reveals his parallel exploration of two‑dimensional media, demonstrating a willingness to experiment beyond his dominant sculptural practice. The work predates his later collaborations with Coosje van Bruggen, situating it within his solo period in New York.
History & Provenance
The untitled print is one of seventeen screenprints, nine lithographs, two hybrid lithograph‑screenprint pieces, a photocopy, and a photograph that comprise the portfolio. The collection reflects Oldenburg’s systematic approach to printmaking at that time, though specific exhibition or ownership details for this individual sheet are not documented in the available sources.
Artist & collection
Artist
Claes Oldenburg (January 28, 1929 – July 18, 2022) was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects.



















