Artwork

Il parait que les clubs vont être ... fermés ...

Il parait que les clubs vont être ... fermés ..., by Honoré Daumier, ink, 1849
Il parait que les clubs vont être ... fermés ..., by Honoré Daumier, ink, 1849

Il parait que les clubs vont être ... fermés ... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1849 and is held in the collection of the National Gallery of Art.

About this work

Overview

Honoré Daumier’s lithograph titled *Il paraît que les clubs vont être fermés* presents a compact scene in which two women are seated, each absorbed in drawing. The composition is stripped of elaborate background, allowing the figures and their gestures to dominate the visual field, while stark light‑dark contrasts heighten the immediacy of the moment.

Subject & Meaning

The two women are rendered with enlarged eyes and pronounced facial lines, a stylistic choice that amplifies their expressions. Their attire and the intensity of their gazes suggest a satirical observation of contemporary gender roles, hinting at the tension between public participation and private expectation that characterized mid‑19th‑century French society.

Technique & Style

Executed in lithography, the work relies on the medium’s capacity for bold tonal shifts and fine line work. Daumier employs minimal shading and a limited palette, creating a dramatic chiaroscuro that underscores the figures’ exaggerated features. The technique’s quick, gestural quality mirrors the informal, almost spontaneous act of sketching depicted within the print.

Context

Created during a period when Daumier frequently turned his attention to social satire, this print aligns with his broader critique of institutions and everyday life. The title’s reference to clubs potentially being closed alludes to contemporary debates over public assembly spaces, reinforcing the artist’s habit of embedding current events within seemingly simple domestic scenes.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.