Artwork
Inventaire chez un veuf

Inventaire chez un veuf is an ink print by the Romanticist artist Honoré Daumier. It dates from 1841 and is held in the collection of the National Gallery of Art.
About this work
Overview
Created in 1841, *Inventaire chez un veuf* is a lithographic print on newsprint by the French artist Honoré Daumier. It belongs to a body of satirical images that Daumier contributed to the popular periodicals *La Caricature* and *Le Charivari*, using the immediacy of print to comment on contemporary life.
Subject & Meaning
The composition lampoons the meticulous cataloguing of personal effects, suggesting a critique of bourgeois propriety and bureaucratic intrusion.
The scene presents a widower’s inventory being taken, with three figures crowded in a dimly lit room. A loosely dressed man leans over a table, gesturing animatedly, while a formally dressed companion stands rigidly nearby, eyes cast downward. A child holds a sheet of paper, adding a note of domestic routine. The composition lampoons the meticulous cataloguing of personal effects, suggesting a critique of bourgeois propriety and bureaucratic intrusion.
Technique & Style
Daumery employed the lithographic process on inexpensive newsprint, allowing rapid production for newspaper circulation. The drawing is rendered in quick, sketch‑like lines that convey movement and emotion, while the limited tonal range emphasizes the cramped interior and the characters’ exaggerated postures.
History & Provenance
The print was issued as part of Daumier’s regular contributions during the July Monarchy and the early Second Republic, periods marked by political volatility in France. Its original distribution through daily papers ensured wide public exposure, though few early copies survive, making extant examples valuable for studying the artist’s editorial work.
Context
Daumier’s satirical prints often targeted the social conventions of the emerging middle class, exposing pretensions through humor and caricature. *Inventaire chez un veuf* reflects this agenda, using a mundane legal procedure—inventory after death—to highlight the absurdity of material obsession in a rapidly modernizing society.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.
















