Artwork

Ma fois je ne sais pas comment ils ...

Ma fois je ne sais pas comment ils ..., by Honoré Daumier, ink, 1840
Ma fois je ne sais pas comment ils ..., by Honoré Daumier, ink, 1840

Ma fois je ne sais pas comment ils ... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1840 and is held in the collection of the National Gallery of Art. Ma fois je ne sais pas comment ils.

About this work

Overview

Ma fois je ne sais pas comment ils... is a lithograph by Honoré Daumier depicting a self-absorbed military figure admiring himself in a mirror, critiquing vanity and pride.

Subject & Meaning

The subject, a militarily adorned man, stands proudly with sword in hand, his reflection and posture embodying self-obsession. The emphasized text 'Coquetterie' underscores the satirical commentary on vanity.

Technique & Style

Executed in lithography, the work features a minimalist background that contrasts with the figure's elaborate attire, drawing focus to the subject's narcissism. The medium's expressive qualities suit the piece's satirical tone.

History & Provenance

No specific historical ownership or exhibition details are provided for this work, highlighting the need for further research into its provenance and historical context.

Context

Created during a time when social satire was a hallmark of Daumier's work, this lithograph aligns with 19th-century French caricature traditions, using humor to critique societal flaws.

Legacy

While not individually renowned in the provided context, the work contributes to Daumier's broader legacy in satirical art, influencing future generations of caricaturists and social commentators.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.