Artwork

Un des ... inconvéniens du macadamisage ...

Un des ... inconvéniens du macadamisage ..., by Honoré Daumier, ink, 1850
Un des ... inconvéniens du macadamisage ..., by Honoré Daumier, ink, 1850

Un des ... inconvéniens du macadamisage ... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1850 and is held in the collection of the National Gallery of Art.

About this work

Overview

The lithograph titled *Un des inconvéniens du macadamisage* presents a bustling urban scene where two formally dressed individuals navigate a dense dust cloud that engulfs a city street. Their dialogue continues despite the obstructive haze, creating a vivid tableau that juxtaposes genteel attire with the chaotic forces of modern life.

Subject & Meaning

The work captures a moment of everyday confrontation with industrial by‑products, using the two conversing figures to symbolize the persistence of social interaction amid environmental disruption. Their exaggerated gestures and strained expressions suggest a critique of how rapid urbanization imposes new, often uncomfortable, conditions on the populace.

Technique & Style

Executed as a lithograph, the image relies on bold line work and stark contrasts typical of caricature. Daumier amplifies facial features and body language, distorting proportions to heighten the sense of unease. The medium’s capacity for rapid reproduction reinforces the satirical tone, allowing the commentary to reach a broad audience.

Context

Created during the mid‑19th century, the print reflects contemporary concerns about the rise of factories and the accompanying pollution that altered cityscapes. Daumier, known for his social observations, employs humor and exaggeration to document the tangible effects of modernization on ordinary citizens.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.