Virgin and Child enthroned between St Ursula and St Catherine

Executed in tempera, a medium characteristic of the period, the painting reflects the traditional techniques of 15th-century Florentine art, though specific stylistic innovations or deviations by Davide Ghirlandaio are not immediately notable in this work.

Painted by Davide Ghirlandaio in 1490, the work became part of the Fitzwilliam Museum's collection. Davide, who worked under and later succeeded his brother Domenico after 1494, produced this piece during his active period as a Florentine painter and mosaicist.

As a religious painting from the late 15th century, it aligns with the devotional art prevalent in Florence during the Renaissance, highlighting the veneration of the Virgin and female saints among the devout.

While not widely renowned beyond its religious genre classification, the painting provides insight into the lesser-documented work of Davide Ghirlandaio and the continued influence of traditional religious themes in early Renaissance art.