Who painted The Annunciation?

The Annunciation was painted by Domenico Veneziano in 1445.

Where can I see The Annunciation?

The Annunciation is held by Fitzwilliam Museum.

What movement is The Annunciation?

The Annunciation is associated with Early Renaissance.

Artwork

The Annunciation

Domenico Veneziano , 1445

The Annunciation is a tempera painting by the Early Renaissance artist Domenico Veneziano. It dates from 1445 and is held in the collection of the Fitzwilliam Museum.

About this work

Overview

Domenico Veneziano’s tempera work titled *The Annunciation* dates from 1445 and is part of the collection at the Fitzwilliam Museum. The composition presents a modest interior with white walls, columns, and a tiled floor of red and white squares, through which a doorway opens onto a garden scene.

Subject & Meaning

The painting depicts the biblical moment when the Archangel Gabriel announces to the Virgin Mary that she will bear the Christ child. Gabriel, shown kneeling with a halo and black wings, holds a branch as a symbolic gesture, while Mary, dressed in a red gown beneath a blue cloak, clasps her hands in a posture of reverent acceptance.

Technique & Style

Executed in tempera, the work demonstrates the luminous color palette characteristic of mid‑15th‑century Italian painting. The artist employs a clear, linear perspective to render the interior space, and the delicate rendering of fabrics and the subtle modeling of faces reflect the influence of contemporary Florentine aesthetics.

History & Provenance

Created in 1445, the panel entered the Fitzwilliam Museum’s holdings in the 20th century, where it remains on display. Its provenance prior to acquisition is not extensively documented, but the work is recognized as an early example of Domenico Veneziano’s mature style.

Context

The Annunciation was a frequent subject for devotional art in the Italian Renaissance, allowing painters to explore themes of divine intervention and human humility. Domenico’s treatment aligns with the period’s interest in naturalistic space and the integration of architectural elements to frame sacred narratives.