Artwork
Après l'apparition (2e planche) (After the Vision) (second plate)
Après l'apparition (2e planche) (After the Vision) (second plate) is an ink print by Jean-Louis Forain. It dates from 1904 and is held in the collection of the National Gallery of Art.
About this work
Overview
Jean-Louis Forain's 1904 print 'Après l'apparition (2e planche)' is a drypoint work in brown on laid Van Gelder paper. It showcases the artist's experimentation with printmaking techniques.
Subject & Meaning
The print depicts a contemplative woman seated at a table by a window, lost in thought as she holds a paper or book. A serene outdoor scene with a sailboat and empty chair is visible outside.
Technique & Style
Forain employed drypoint, using quick, scratchy lines to convey movement and light. The resulting texture on the paper reflects the use of a sharp tool, characteristic of this printmaking technique.
Context
As a French artist associated with Impressionism, Forain explored various mediums, including printmaking. 'Après l'apparition (2e planche)' demonstrates his engagement with Impressionist techniques and graphic style.
Artist & collection
Artist
Jean-Louis Forain (French pronunciation: ; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph.
Après l'apparition (2e planche) (After the Vision) (second plate)
Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate)
Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate)
La rencontre sous la voute (2e planche) (The Meeting under the Arch) (second plate)
Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate)