Artwork
Après l'apparition (2e planche) (After the Vision) (second plate)
Après l'apparition (2e planche) (After the Vision) (second plate) is an ink print by Jean-Louis Forain. It dates from 1904 and is held in the collection of the National Gallery of Art.
About this work
Overview
Après l'apparition (2e planche) is a 1904 drypoint print by Jean-Louis Forain, a French artist known for his work in various mediums. The print is part of a series examining urban life and social dynamics.
Subject & Meaning
The print depicts two somber figures at a table, one resting their head on the other's shoulder, conveying a sense of melancholy. The scene is set with a few objects, including a hat and bottle, contributing to the subdued atmosphere.
Technique & Style
Forain's use of drypoint on wove paper creates a textured, deep image. The interplay of light and shadow enhances the mood, characteristic of Forain's skill with various printmaking techniques.
History & Provenance
Created in 1904, the print reflects Forain's engagement with themes of urban life during the early 20th century. Forain enjoyed relative success during his lifetime, though his reputation has since waned.
Artist & collection
Artist
Jean-Louis Forain (French pronunciation: ; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph.
Après l'apparition (2e planche) (After the Vision) (second plate)
Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate)
La rencontre sous la voute (2e planche) (The Meeting under the Arch) (second plate)
Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate)
Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate)
Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate)