Who painted Bildnis der Sophie Preylin, genannt Wachsmutin?

Bildnis der Sophie Preylin, genannt Wachsmutin was painted by Georg Pecham.

Where can I see Bildnis der Sophie Preylin, genannt Wachsmutin?

Bildnis der Sophie Preylin, genannt Wachsmutin is held by Bavarian State Painting Collections.

What movement is Bildnis der Sophie Preylin, genannt Wachsmutin?

Bildnis der Sophie Preylin, genannt Wachsmutin is associated with Early Baroque Italian.

Artwork

Bildnis der Sophie Preylin, genannt Wachsmutin

Georg Pecham

Bildnis der Sophie Preylin, genannt Wachsmutin is an unspecified painting by the Early Baroque Italian artist Georg Pecham. It is held in the collection of the Bavarian State Painting Collections.

About this work

The painting depicts a woman's head and shoulders, with her face turned slightly to the left.

The painting depicts a woman's head and shoulders, with her face turned slightly to the left. She wears a white lace cap and a ruffled collar, and her expression is neutral. The background is dark, which helps to accentuate the subject's features.

The woman's attire and hairstyle suggest that the painting is from the early 17th century. The level of detail in the painting, particularly in the lace and ruffles, is impressive.

To learn more about the artist's use of chiaroscuro, explore the works of Georg Pecham.

Overview

Bildnis der Sophie Preylin, genannt Wachsmutin is a portrait painting created by Georg Pecham in 1610, currently housed at the Alte Pinakothek.

Subject & Meaning

The subject, Sophie Preylin (also known as Wachsmutin), is depicted in a neutral expression, with her face slightly turned to the left, emphasizing her individual likeness over emotional portrayal.

Technique & Style

Pecham employed a dark background to accentuate the subject's features, while demonstrating meticulous attention to detail in the rendering of her white lace cap and ruffled collar, characteristic of early 17th-century attire.

History & Provenance

Created in 1610, the painting's history prior to its current location at the Alte Pinakothek is not detailed here, highlighting the need for further research into its provenance.

Context

The painting reflects the sartorial norms of its time, with the subject's hairstyle and clothing placing it firmly within the early 17th-century European portrait tradition.

Legacy

While the painting showcases Pecham's skill, particularly in capturing intricate textures, its broader influence or significance in the art historical canon is not explicitly outlined, suggesting a more nuanced or localized impact.