Artwork

Saint Anne with the Infant Jesus

Saint Anne with the Infant Jesus, by Georges de La Tour, oil, 1647
Saint Anne with the Infant Jesus, by Georges de La Tour, oil, 1647

Saint Anne with the Infant Jesus is an oil painting by the French Classical Baroque artist Georges de La Tour. It dates from 1647 and is held in the collection of the Art Gallery of Ontario.

About this work

Overview

Saint Anne with the Infant Jesus is a 1647 oil painting by French Baroque artist Georges de La Tour, characterized by a serene depiction of the titular figures under candlelight, exemplifying the French Classical Baroque style.

Subject & Meaning

The painting portrays Saint Anne, grandmother of Jesus, tenderly holding the sleeping Infant Jesus, conveying a moment of quiet devotion and intimacy, emphasizing spiritual connection through subtle, candlelit expressions.

Technique & Style

La Tour employs chiaroscuro, with a single candle flame as the light source, casting warm glows on the subjects' faces while enveloping the background in deep shadows, creating depth and volumetric form.

History & Provenance

Created in 1647 during La Tour's activity in the Duchy of Lorraine, the work is now part of the Art Gallery of Ontario's collection, reflecting the artist's blend of Nordic, Italian, and French artistic influences.

Context

This piece situates La Tour among 17th-century contemporaries like Jacques Callot and the Le Nain brothers, highlighting his unique interpretation of Baroque traditions within the French Classical context.

Legacy

Saint Anne with the Infant Jesus remains a significant example of La Tour's oeuvre, illustrating his mastery of chiaroscuro in religious themes and continuing to exemplify the French Baroque's emotional and aesthetic depths.

Artist & collection

Portrait of Georges de La Tour

Artist

Georges de La Tour

Georges de La Tour (French pronunciation: ; 13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648.

This work is in the public domain (CC0). Image source: Art Gallery of Ontario open access. Spotted an error in this record? Tell us.