Who painted The Virgin and Child with two Angels?

The Virgin and Child with two Angels was painted by Giacomo Pacchiarotti in 1517.

Where can I see The Virgin and Child with two Angels?

The Virgin and Child with two Angels is held by Gemäldegalerie Berlin.

Artwork

The Virgin and Child with two Angels

The Virgin and Child with two Angels is a paint painting by Giacomo Pacchiarotti. It dates from 1517 and is held in the collection of the Gemäldegalerie Berlin.

About this work

Overview

Created around 1517, this painted panel by Giacomo Pacchiarotti presents a devotional scene of the Virgin Mary with the infant Christ and two attendant angels. The work is part of the collection of the Gemäldegalerie in Berlin and exemplifies early‑16th‑century religious imagery.

Subject & Meaning

Mary is shown in a flowing blue mantle, a red sash cinching her waist, cradling the serene infant Jesus on her lap. Flanking her are two youthful angels, each crowned with a golden halo, their gestures suggesting reverence and protection. The composition underscores the theological emphasis on the divine motherhood and the celestial guardianship surrounding the Christ child.

Technique & Style

Executed in oil on panel, the painting displays a muted palette dominated by deep blues and subdued reds. The figures are rendered with soft modeling, while the background features a dark blue field punctuated by faint, star‑like specks, creating a subtle heavenly atmosphere. Signs of age, such as faded pigments and minor surface scratches, attest to its long history.

History & Provenance

The artwork has been attributed to Pacchiarotti, an Italian painter active in the early 1500s, based on stylistic analysis and archival references. It entered the Gemäldegalerie Berlin's holdings in the 20th century, though earlier ownership records remain sparse.

Context

During the period of its creation, depictions of the Virgin and Child accompanied by angels were common in devotional art, reflecting both personal piety and the broader Renaissance interest in harmonious composition and gentle human emotion. Pacchiarotti's treatment aligns with contemporary Italian approaches while retaining a distinctive calmness in the figures' expressions.