Who painted Standing lady?

Standing lady was painted by Giuseppe Amisani in 1912.

Where can I see Standing lady?

Standing lady is held by São Paulo Museum of Art.

What movement is Standing lady?

Standing lady is associated with Futurism.

Artwork

Standing lady

Giuseppe Amisani , 1912

Standing lady is an oil painting by the Futurist artist Giuseppe Amisani. It dates from 1912 and is held in the collection of the São Paulo Museum of Art.

About this work

Overview

Giuseppe Amisani’s oil on canvas entitled *Standing lady* was completed in 1912. The work is part of the collection of the São Paulo Museum of Art, where it is displayed among the museum’s early‑twentieth‑century European paintings.

Subject & Meaning

The composition presents a woman poised upright, dressed in a flowing black gown. Her right arm is bent, the hand resting lightly on her hip, while her hair is gathered in an elegant up‑do. Her expression is restrained, suggesting a calm self‑assurance that invites quiet contemplation of the sitter’s inner presence.

Technique & Style

Amisani employs a subtle chiaroscuro, modeling the figure with gradations of light and shadow that give the portrait a three‑dimensional quality. The background consists of a richly textured, golden curtain that provides a warm, luminous counterpoint to the darker attire, enhancing the sense of depth and spatial separation.

History & Provenance

After its creation in 1912, the painting entered the collection of the São Paulo Museum of Art, where it has remained on view. The museum acquired the work as part of its effort to broaden its representation of European modernism, though specific acquisition details are not publicly recorded.

Context

Amisani, an Italian painter active in the early twentieth century, was known for his portraiture that combined academic training with a sensitivity to light. *Standing lady* reflects the period’s interest in refined, intimate depictions of individuals, aligning with contemporary trends in European salon painting while anticipating later modernist explorations of form and atmosphere.