Artwork
Portrait of a Donor (recto); Saint Anthony of Padua (verso)

Portrait of a Donor (recto); Saint Anthony of Padua (verso) is an oil painting by the Northern Renaissance artist Hans Memling. It dates from 1485 and is held in the collection of the Art Institute of Chicago. This double-sided panel painting features a portrait on one side and an image of Saint Anthony of Padua on the other.
About this work
Overview
This double-sided panel painting features a portrait on one side and an image of Saint Anthony of Padua on the other. Originally part of a diptych, it was designed to be viewed in conjunction with a companion piece, Virgin and Child.
Technique & Style
The Saint Anthony image is rendered in grisaille, a monochromatic technique using shades of beige and gray to create a sculptural effect. This style was used to create a visual contrast with the colorful interior of the diptych.
Subject & Meaning
The painting served as a transition between the external, earthly realm and the internal, sacred space. Visual elements, such as Saint Anthony's toe extending beyond the frame, helped to bridge the two realms.
History & Provenance
The panel was once hinged to a Virgin and Child painting, forming a diptych. The portrait side is now worn, while the Saint Anthony side remains well-preserved.
Artist & collection
Artist
Hans Memling was a German-Flemish painter who worked in the tradition of Early Netherlandish painting.


![Saint Veronica [obverse], by Hans Memling](https://artifactworldgallery.com/img/hans-memling--saint-veronica-obverse--5a649fd8b09c96b9-w320.webp)
















