Who painted Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222?

Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222 was painted by Hans Werl in 1605.

Where can I see Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222?

Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222 is held by Bavarian State Painting Collections.

What movement is Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222?

Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222 is associated with Early Baroque Italian.

Artwork

Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222

Hans Werl , 1605

Herzog Ludwig I. von Bayern zieht in den Kreuzzug 1222 is an unspecified painting by the Early Baroque Italian artist Hans Werl. It dates from 1605 and is held in the collection of the Bavarian State Painting Collections.

About this work

Overview

Created in 1605 by the German painter Hans Werl, this canvas is part of the collection of Munich’s Alte Pinakothek. It portrays the departure of Duke Ludwig I of Bavaria for the Crusade of 1222, rendered as a riverine procession that combines both civic ceremony and martial pageantry.

Subject & Meaning

The central focus is a longboat crowded with figures, many in armor, moving along a river toward a distant shoreline. Flags and banners flutter from the vessel, signifying a celebratory send‑off. The composition suggests both the religious fervor of a crusade and the political prestige of the Bavarian duke.

Technique & Style

Werl employs a meticulous, naturalistic approach, emphasizing the texture of fabrics, metal, and water. Careful modeling of light on surfaces gives depth to the armor and clothing, while the cityscape in the background is rendered with architectural clarity, reinforcing the work’s documentary quality.

History & Provenance

The painting has remained in the public domain since its early acquisition by the Bavarian court, eventually entering the Alte Pinakothek’s holdings. Its attribution to Hans Werl has been consistently affirmed by museum records and scholarly catalogues.

Context

The work reflects early‑17th‑century interest in historicizing contemporary political events, aligning Ludwig I’s medieval crusading venture with the dynastic narratives valued by the Wittelsbachs. It also mirrors the period’s fascination with detailed, narrative history painting.