Page from Tales of a Parrot (Tuti-nama): text page

The artist employed a fine brush to execute the black script in tightly packed, orderly rows, each character rendered with deliberate precision. The background hue was applied in thin washes to simulate parchment, while the slender blue lines framing the edges were added with a contrasting pigment, creating a subtle visual restraint.

The painted page originates from a Persian illustrated manuscript dating to the 16th‑17th century, a period when the Tuti‑nama was widely copied for courtly and private audiences. It now forms part of the collection of the Cleveland Museum of Art, which acquired it as part of its holdings of Islamic manuscripts.