Artwork
Study of Both Hands of the Bishop for the Painting "The Oath of Queen Jadwiga"

Study of Both Hands of the Bishop for the Painting "The Oath of Queen Jadwiga" is an oil painting by Józef Simmler. It dates from 1855 and is held in the collection of the National Museum in Kraków.
About this work
Overview
This oil painting, created circa 1855 by Polish artist Józef Simmler, is a preparatory study focusing on the hands of a bishop. It was intended for the larger work *The Oath of Queen Jadwiga*, now housed in the National Museum in Kraków.
Subject & Meaning
The painting depicts a close-up of a bishop's hands, palms facing each other with fingers curled inward, conveying a specific gesture. The realistic detail suggests an emphasis on capturing a particular emotional or symbolic moment related to the bishop's role in the oath scene.
Technique & Style
Simmler employed oil paint to achieve a highly realistic and detailed representation of the hands. The use of a light background contrasted with a darker gray smudge behind the hands may indicate the artist's application of chiaroscuro principles to enhance depth and volume.
History & Provenance
Created around 1855 as part of Simmler's preparations for *The Oath of Queen Jadwiga*, this study is now part of the National Museum in Kraków's collection, contextualizing it within Simmler's broader thematic focus on Polish historical subjects.
Context
This work reflects Simmler's classical approach, characteristic of his focus on Polish historical themes. The study's attention to detail and realism align with the artistic values of his time, emphasizing historical accuracy and emotional authenticity.
Legacy
As a preparatory study for a larger historical painting, its legacy is closely tied to *The Oath of Queen Jadwiga*. It demonstrates Simmler's meticulous approach to detail, contributing to the overall impact of the final composition.
Artist & collection
Artist
Józef Simmler (March 14, 1823, in Warsaw – March 1, 1868, in Warsaw) was a Polish painter known for his classical style and his Polish subjects.



















