Who painted Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky?

Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky was painted by Jakob Alt in 1839.

Where can I see Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky?

Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky is held by Cleveland Museum of Art.

Can I buy a print of Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky?

Museum-quality prints of Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky are available made-to-order from Artifact World Gallery.

Artwork

Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky

Jakob Alt , 1839

Ungern, Ansicht gegen die Stadt Waitzen und das Dorf Telky is a print by Jakob Alt. It dates from 1839 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Created around 1839 by Jakob Alt, this print titled "Ansicht gegen die Stadt Waitzen und das Dorf Telky" presents a tranquil riverine scene. The composition balances foreground foliage with distant urban and rural structures, offering a panoramic view that merges natural and built environments. The work is part of the collection of the Cleveland Museum of Art.

Subject & Meaning

The image captures a flowing river flanked by verdant trees, leading the eye toward a town and a village that lie beyond the horizon. The juxtaposition of the bustling settlement of Waitzen with the quieter hamlet of Telky suggests a dialogue between urban activity and pastoral life, reflecting the region’s geographical and social landscape.

Technique & Style

Alt employs a palette of soft blues for the sky and vivid greens for the foliage, creating depth through layered coloration. The treatment of water shows nuanced light reflections, giving the surface a sense of movement. While the print’s lines are clear, the handling of texture conveys a tactile quality that enhances the atmospheric perspective.

History & Provenance

The work entered the Cleveland Museum of Art’s holdings after its acquisition, though specific details of its earlier ownership remain undocumented. As a mid‑19th‑century print, it exemplifies Alt’s interest in documenting Central European locales during a period of growing interest in topographical illustration.