Artwork

Portrait of Coenraad van Hulst, Actor, as President of the Arts-Promoting Company VW in Amsterdam (so named after the founders Casper Vreedenberg and Jan van Well)

Portrait of Coenraad van Hulst, Actor, as President of the Arts-Promoting Company VW in Amsterdam (so named after the founders Casper Vreedenberg and Jan van Well), by Jan Cornelis van Rossum, oil, 1839
Portrait of Coenraad van Hulst, Actor, as President of the Arts-Promoting Company VW in Amsterdam (so named after the founders Casper Vreedenberg and Jan van Well), by Jan Cornelis van Rossum, oil, 1839

Portrait of Coenraad van Hulst, Actor, as President of the Arts-Promoting Company VW in Amsterdam (so named after the founders Casper Vreedenberg and Jan van Well) is an oil painting by the Biedermeier artist Jan Cornelis van Rossum. It dates from 1839 and is held in the collection of the Rijksmuseum.

About this work

Overview

Jan Cornelis van Rossum’s 1839 oil portrait presents Coenraad van Hulst, a Dutch actor who served as president of the Arts‑Promoting Company VW in Amsterdam. The work, now in the Rijksmuseum, measures the subject seated in an upholstered chair against a plain red backdrop, his dark coat and white cravat contrasting with a chain of medals and a rolled document in his hand.

Subject & Meaning

The medals encircling his neck suggest official recognition, likely linked to his leadership of the arts‑supporting society.

Van Hulst is depicted in formal attire, emphasizing his civic role rather than his theatrical career. The medals encircling his neck suggest official recognition, likely linked to his leadership of the arts‑supporting society. The rolled paper he grasps may represent a charter, decree, or theatrical script, underscoring the intersection of cultural patronage and performance in early‑19th‑century Amsterdam.

Technique & Style

The portrait employs a restrained chiaroscuro, with a focused light source illuminating the figure while the red wall recedes into shadow. Van Rossum’s brushwork renders the textures of fabric, metal, and paper with meticulous detail, creating a sense of three‑dimensional presence. The limited background elements—a plain wall and two small gold stars on pedestals—serve to isolate the sitter and highlight his status.

History & Provenance

Executed in 1839, the painting entered the Rijksmuseum’s collection as part of its 19th‑century Dutch portrait holdings. Its provenance traces back to the artist’s studio and subsequent private ownership before acquisition by the museum, where it remains a documented example of civic portraiture linked to Amsterdam’s cultural institutions of the period.

Artist & collection

Rijksmuseum

Museum

Rijksmuseum

Continue through works from the same source collection.

This work is in the public domain (CC0). Image source: Rijksmuseum open access. Spotted an error in this record? Tell us.