Artwork
Untitled
Untitled is an ink print by Kayrock and Wolfy. It dates from 2004 and is held in the collection of the Museum of Modern Art.
About this work
The bottom section of the image contains a black rectangle with white text that reads "ROXY PAIN" and provides information about an upcoming event.
This screenprint features a bold, black-and-white design. At the top, a black banner displays white text that reads "AT 7:30 PM ON THURSDAY MARCH 4 2004." Below this, a section of text titled "ANTIPLEONAST 04 MANIFESTO" outlines a set of rules for a performance. The bottom section of the image contains a black rectangle with white text that reads "ROXY PAIN" and provides information about an upcoming event.
The text is presented in a clear, easy-to-read format, with each section separated by a clear visual distinction. The use of black and white creates a striking contrast that draws the viewer's attention.
To learn more about the artists behind this piece, look up Kayrock and Wolfy.
Overview
Untitled is a screenprint produced in 2004 by the collaborative duo Kayrock and Wolfy. The work is part of the collection of the Museum of Modern Art, where it is displayed as an example of early‑2000s print‑based practice.
Subject & Meaning
The image consists of a stark black‑and‑white layout that mimics a promotional flyer. At the top, a black banner bears white lettering announcing a specific date and time, followed by a manifesto‑style text that lists rules for a performance. The lower portion features a black rectangle with the name "ROXY PAIN" and details about an upcoming event, suggesting a focus on event documentation and subcultural communication.
Technique & Style
Executed as a screenprint, the piece relies on high‑contrast monochrome inks to achieve crisp, legible typography. The separation of text blocks by distinct black fields creates a clean, modular composition that emphasizes the informational content over pictorial representation.
History & Provenance
Created in 2004, the print entered MoMA's holdings shortly after its production, reflecting the museum's interest in contemporary print media and collaborative art practices of the period. Its acquisition underscores the institution's commitment to documenting experimental graphic work.
Artist & collection
