Artwork

Guy Little Theatrical Photograph

Guy Little Theatrical Photograph, by London Stereoscopic and Photographic Company, photographic, 1874
Guy Little Theatrical Photograph, by London Stereoscopic and Photographic Company, photographic, 1874

Guy Little Theatrical Photograph is a photographic photography by the Impressionist artist London Stereoscopic and Photographic Company. It dates from 1874 and is held in the collection of the Victoria and Albert Museum.

About this work

This photo captures stage life in 1874 London. The London Stereoscopic and Photographic Company took it of Grace Huntley, probably dressed as Aladdin at Theatre Royal Drury Lane.

It’s one of those small albumen prints pasted on card. These “cartes de visite” were the size of visiting cards and hugely popular in the 1860s.

Check out the Victoria and Albert Museum for more.

Overview

The image is an albumen print photograph showing actress Grace Huntley, likely in costume as Aladdin for a production at London’s Theatre Royal, Drury Lane, dated around 1874. Produced by the London Stereoscopic and Photographic Company, the picture exemplifies the small, card‑mounted portraits that circulated widely in Victorian society.

Subject & Meaning

Grace Huntley appears in theatrical attire that suggests the title role of Aladdin, reflecting the 19th‑century practice of commemorating stage performances through portraiture. Such images served both as personal mementos for audiences and as promotional material for the theatre.

Technique & Style

The photograph is an albumen print made from a glass negative, a common process in the mid‑1800s. The print is affixed to a stiff card, matching the format of the “carte de visite,” a visiting‑card‑sized portrait that was mass‑produced and exchanged as a social pastime.

History & Provenance

The carte originated in a larger collection of Victorian photographic cards that were later stripped from their original backs and bound into albums by solicitor Guy Tristram Little (d. 1953). Little, a collector of ephemera and executor of theatre‑collector Gabrielle Enthoven, donated the assembled albums to the Victoria and Albert Museum.

Context

During the 1860s and 1870s, cartes de visite became a fashionable collectible, with subjects ranging from landscapes to theatrical portraits. They were eventually superseded by larger cabinet cards and, later, by postcards, marking a shift in how visual culture was shared in the late Victorian era.

Artist & collection