Artwork
Untitled

Untitled is a print by Thomas Major. It dates from 1750 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Thomas Major’s untitled print presents a bustling harbor populated by sailing vessels and a crumbling stone structure. Figures traverse the quay, some seated, others engaged in labor beside the water. A solitary tower rises in the distance, while additional ships drift on the sea beyond. The composition mirrors the atmospheric qualities of a 17th‑century French landscape.
Subject & Meaning
The scene juxtaposes human activity with the decay of antiquity, suggesting a dialogue between commerce and the remnants of a past civilization. The ruined building and distant tower evoke classical ruins, while the crowded dock emphasizes contemporary maritime trade, reflecting a tension between the timeless and the transient.
Technique & Style
Executed in print on paper, Major adopts Claude Lorrain’s characteristic treatment of light and atmospheric perspective. The delicate rendering of water and sky, combined with the softened outlines of architectural elements, reproduces the painter’s lyrical seascape aesthetic while translating it into the graphic language of 18th‑century engraving.
History & Provenance
Created in the 1700s, the print was produced in London as a reproduction of a Claude Lorrain painting. Major’s work circulated among collectors of the period, catering to the English market’s appetite for French landscape motifs. The piece now resides in the Victoria and Albert Museum’s collection of historic prints.
Artist & collection
Artist
Thomas Major was an English engraver. His early career was in Paris. In England, he became engraver to Frederick, Prince of Wales. He was the first engraver recognized by the Royal Academy of Arts, and was chief seal engraver to the king.











