Artwork

Untitled

Untitled, by Mark Lombardi, graphite, 1998
Untitled, by Mark Lombardi, graphite, 1998

Untitled is a graphite drawing by Mark Lombardi. It dates from 1998 and is held in the collection of the Museum of Modern Art.

About this work

Overview

Created in 1998, this drawing by American neo‑conceptual artist Mark Lombardi employs colored pencil and graphite on paper. It forms part of a series in which the artist maps alleged financial and political connections among influential individuals and institutions. The work is part of the Museum of Modern Art’s collection.

Subject & Meaning

The composition consists of an intricate lattice of lines, nodes and occasional colored accents that function as a visual representation of alleged corruption networks. Rather than depicting recognizable forms, the drawing encodes relationships and transactions, inviting viewers to trace the connections and consider the complexity of power structures.

Technique & Style

Lombardi’s method involves dense, repetitive strokes that fill the paper’s surface, creating a stippled, almost chaotic texture. A limited palette of gray, brown and occasional pink or red highlights the diagrammatic nature of the piece while emphasizing its schematic quality.

History & Provenance

The work entered the Museum of Modern Art’s holdings after being acquired from the artist’s estate. It remains a documented example of Lombardi’s late‑period practice, reflecting his ongoing interest in visualizing hidden networks of influence.

Context

Produced during a period when Lombardi was intensively researching high‑profile scandals, the drawing aligns with his broader project of turning archival research into graphic maps. It resonates with contemporary concerns about transparency and the visual articulation of complex social data.

Artist & collection

Artist

Mark Lombardi

Mark Lombardi (March 23, 1951 – March 22, 2000) was an American neo-conceptual artist who specialized in drawings that document alleged financial and political frauds by power brokers, and in general "the uses and abuses of power".

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.