Artwork

Σχέδιο Ανάγλυφου - Μάρμαρο - Μπετόν

Σχέδιο Ανάγλυφου - Μάρμαρο - Μπετόν, by Alex Mylona, 1983
Σχέδιο Ανάγλυφου - Μάρμαρο - Μπετόν, by Alex Mylona, 1983

Σχέδιο Ανάγλυφου - Μάρμαρο - Μπετόν is a drawing by Alex Mylona. It dates from 1983 and is held in the collection of the Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus.

About this work

Alex Mylona’s 1983 drawing shows marble and concrete designs for floors and walls.

Alex Mylona’s 1983 drawing shows marble and concrete designs for floors and walls. Wavy lines outline laurel wreaths, floral shapes, and Olympic rings. Tiny numbers mark where tiles should meet.

This is a page from her study notebook. She tested patterns for real buildings, not just art. The page feels like an architect’s scratch pad, full of quick sketches.

Try the Museum of Ethnography’s online archive to see more of her notebook pages.

Overview

This artwork is a page from Alex Mylona's 1983 study notebook, featuring drawings for decorative marble and concrete designs intended for practical application in floors and walls.

Subject & Meaning

The subject matter includes laurel wreaths, floral motifs, Olympic circles, and repeating patterns, reflecting a focus on functional yet aesthetically pleasing designs for interior and exterior spaces.

Technique & Style

Characterized by quick, sketchy lines, the page showcases Mylona's exploratory process. Wavy outlines and tiny numerical notations for tile placement highlight a pragmatic, architectural approach.

History & Provenance

Created in 1983, this page is part of an 8-sheet notebook. The artwork is now accessible through the Museum of Ethnography's online archive, alongside other notebook pages by the artist.

Context

Unlike purely artistic endeavors, these designs were conceived for integration into real buildings, bridging art and architecture.

Artist & collection

Artist

Alex Mylona

Alex Mylona (Athens, 1920 – 2016) was a Greek sculptor, known for her multidimensional and experimental approach to art.