Who painted Autoportrait au béret (Self-Portrait with a Beret)?

Autoportrait au béret (Self-Portrait with a Beret) was painted by Paul Cezanne in 1900.

Where can I see Autoportrait au béret (Self-Portrait with a Beret)?

Autoportrait au béret (Self-Portrait with a Beret) is held by Museum of Fine Arts Boston.

What movement is Autoportrait au béret (Self-Portrait with a Beret)?

Autoportrait au béret (Self-Portrait with a Beret) is associated with Post-Impressionism.

Can I buy a print of Autoportrait au béret (Self-Portrait with a Beret)?

Museum-quality prints of Autoportrait au béret (Self-Portrait with a Beret) are available made-to-order from Artifact World Gallery.

Artwork

Autoportrait au béret (Self-Portrait with a Beret)

Paul Cezanne , 1900

Autoportrait au béret (Self-Portrait with a Beret) is an oil painting by the Post-Impressionist artist Paul Cezanne. It dates from 1900 and is held in the collection of the Museum of Fine Arts Boston. Created in 1900, this oil painting presents Paul Cézanne’s likeness, identifiable by his characteristic beret and mustache.

About this work

Overview

Created in 1900, this oil painting presents Paul Cézanne’s likeness, identifiable by his characteristic beret and mustache. The work resides in the Museum of Fine Arts, Boston, and exemplifies the artist’s later self‑portraiture, capturing a moment of introspection through a restrained palette and composed pose.

Subject & Meaning

The figure is Cézanne himself, rendered in a dark jacket and white shirt, his gaze directed inward. The beret, a recurring motif in his self‑portraits, underscores his identity as an artist, while the subdued expression suggests contemplation rather than narrative drama.

Technique & Style

Executed in oil, the portrait displays Cézanne’s post‑Impressionist approach, where blocks of earth tones build the facial features. Visible brushwork creates a tactile surface, and the warm beige background offers a gentle contrast, highlighting the textured modeling of the sitter’s features.

History & Provenance

Painted at the close of Cézanne’s career, the canvas entered the collection of the Museum of Fine Arts, Boston, where it remains on view. Its acquisition reflects the institution’s commitment to representing pivotal figures in the transition from Impressionism to early modernist movements.

Context

Cézanne’s self‑portraits bridge the fleeting light of Impressionism with the structural concerns that would inspire Cubism. This work, produced in the final decade of his life, illustrates his ongoing exploration of form and color, contributing to the evolving language of modern art.