Artwork
The Forges

The Forges is an ink print by Joseph Pennell. It dates from 1917 and is held in the collection of the National Gallery of Art.
About this work
Overview
Created in 1917, *The Forges* is a black‑and‑white lithographic print by American artist Joseph Pennell. The work depicts an active ironworks, its furnaces glowing and workers outlined against the fire. Pennell, known for his industrial subjects, rendered the scene with a sense of motion despite the static medium.
Subject & Meaning
The composition centers on a bustling forge, where molten metal pours from glowing furnaces and laborers move amid swirling smoke and dust. By emphasizing the harsh light of fire against dark silhouettes, Pennell highlights the intensity of early‑twentieth‑century manufacturing and the human effort embedded in the industrial landscape.
Technique & Style
Pennell employed the traditional lithographic process, drawing directly on a flat stone treated with a greasy medium. This allowed for bold, thick lines and rough shading that convey a tactile, hand‑crafted quality. The stark contrast of black ink and white paper accentuates the interplay of light and shadow within the forge.
History & Provenance
Pennell, a student of James Lambdin and Thomas Eakins, later absorbed the aesthetic of James McNeill Whistler. Though American by birth, he spent much of his career in Europe, focusing on architectural and industrial subjects. *The Forges* reflects the period’s fascination with mechanization and was likely produced for the artist’s growing print market.
Context
During the World War I era, industrial production surged, and artists like Pennell turned their attention to factories and workshops as symbols of modernity. The print aligns with his broader oeuvre of urban and industrial scenes, which often documented the transformative impact of technology on everyday life.
Artist & collection
Artist
Joseph Pennell (July 4, 1857 – April 23, 1926) was an American draftsman, etcher, lithographer, and illustrator for books and magazines.



















