Artwork
The Upper-room, Stenton
The Upper-room, Stenton is an ink print by Joseph Pennell. It dates from 1912 and is held in the collection of the National Gallery of Art.
About this work
Overview
Created in 1912, *The Upper‑room, Stenton* is a lithographic print by American artist Joseph Pennell. The image presents an interior scene that appears to be part of the historic Stenton house in Philadelphia, showing a modestly furnished space with a fireplace, a table, a tall cabinet, and decorative elements such as plants and framed pictures.
Subject & Meaning
The composition captures a quiet domestic environment, emphasizing the warmth of the hearth and the orderly arrangement of furnishings. By focusing on everyday details—paneled walls, a window to the right, and personal objects—the work reflects an interest in the character of historic American interiors.
Technique & Style
Pennell employed the lithographic process, allowing for subtle tonal variation and a soft overall atmosphere. His handling of line and shading conveys the gentle glow of firelight, while the precise rendering of architectural features demonstrates his training in drawing and his influence from the tonal subtleties associated with James McNeill Whistler.
History & Provenance
Though primarily known for etchings, his lithographs such as this one illustrate his versatility.
Joseph Pennell, a former student of James Lambdin and Thomas Eakins, produced the print during a period when he was active in both Europe and the United States, often illustrating landmarks and landscapes. Though primarily known for etchings, his lithographs such as this one illustrate his versatility. The work has been linked to his collaborative circle, which included his wife, writer Elizabeth Robins, though specific ownership records for this print are limited.
Artist & collection
Artist
Joseph Pennell (July 4, 1857 – April 23, 1926) was an American draftsman, etcher, lithographer, and illustrator for books and magazines.
