Who painted Hunter at Rest?

Hunter at Rest was painted by Pieter van Laer in 1634.

Where can I see Hunter at Rest?

Hunter at Rest is held by Hermitage Museum.

What movement is Hunter at Rest?

Hunter at Rest is associated with Dutch Golden Age.

Can I buy a print of Hunter at Rest?

Museum-quality prints of Hunter at Rest are available made-to-order from Artifact World Gallery.

Artwork

Hunter at Rest

Pieter van Laer , 1634

Hunter at Rest is an oil painting by the Dutch Golden Age artist Pieter van Laer. It dates from 1634 and is held in the collection of the Hermitage Museum.

About this work

Overview

Created in 1634, *Hunter at Rest* is a small-scale work executed on copper. The composition shows a solitary hunter seated on a tree stump, a flask in his right hand, while his dog lies nearby, gazing upward. Behind them a gentle landscape of rolling hills and scattered trees stretches into the distance, rendered in subdued earth tones.

Subject & Meaning

The scene captures a moment of pause in the daily routine of a countryside hunter, emphasizing the quiet companionship between man and animal. By portraying the hunter in a relaxed pose rather than in action, the work suggests themes of contemplation and the fleeting respite found within the labor of hunting.

Technique & Style

Van Laer employed the fine grain of copper to achieve a high level of detail, particularly evident in the texture of the hunter’s red coat and the dog’s fur. The palette is restrained, dominated by muted browns, greens, and ochres, while the realistic rendering reflects the Dutch Golden Age’s interest in naturalistic observation.

History & Provenance

The Dutch painter Pieter van Laer, known among the Bentvueghels as Il Bamboccio, produced the piece during his Roman period. *Hunter at Rest* entered the collection of the State Hermitage Museum, where it remains on display as part of the museum’s holdings of 17th‑century Dutch genre paintings.

Context

Van Laer’s oeuvre is characterized by genre scenes that depict everyday life, often set in the Italian countryside where he lived. This work aligns with his focus on rustic subjects and reflects the broader trend among Dutch artists in Rome to blend Northern realism with Italianate landscapes, contributing to the cross‑cultural exchange of the period.