Rene Magritte (1898-1967)/Marina Tsvetaeva (1892-1941)

The final piece is a digital print produced after the random selection process. Although the source images retain their original styles—Magritte’s precise surrealism and a photographic likeness of Tsvetaeva—the print itself is rendered in a uniform, high‑resolution format suitable for archival paper. The artist’s signature is applied digitally to the finished sheet.

The work was generated by Natassa Poulantza, who programmed and curated the Game of Fortune application. Each print is a one‑off artifact, created at the moment of user selection and subsequently documented as a signed edition on archival material, ensuring a traceable provenance linked to the artist’s digital practice.

Game of Fortune situates itself within contemporary explorations of chance, authorship, and the remix culture of the digital age. By pairing canonical visual art with intellectual portraits, the project comments on the randomness of cultural association and the role of technology in reshaping how artworks are experienced and collected.

Prints such as this exemplify a hybrid of interactive media and traditional printmaking, expanding the definition of what constitutes an original artwork. They also highlight the ongoing relevance of historic figures like Magritte and Tsvetaeva within modern digital frameworks, prompting ongoing scholarly interest in cross‑disciplinary reinterpretations.