Who painted Mills on the Fi-eld near Hellandshoin?

Mills on the Fi-eld near Hellandshoin was painted by Edward Price in 1834.

Where can I see Mills on the Fi-eld near Hellandshoin?

Mills on the Fi-eld near Hellandshoin is held by Victoria and Albert Museum.

What movement is Mills on the Fi-eld near Hellandshoin?

Mills on the Fi-eld near Hellandshoin is associated with Romanticism.

Artwork

Mills on the Fi-eld near Hellandshoin

Edward Price , 1834

Mills on the Fi-eld near Hellandshoin is a print by the Romanticist artist Edward Price. It dates from 1834 and is held in the collection of the Victoria and Albert Museum.

About this work

In the foreground, a few small wooden huts and a mill sit near a rocky shore, with a body of water stretching into the distance.

This print shows a quiet, misty valley with a steep mountain rising in the background. In the foreground, a few small wooden huts and a mill sit near a rocky shore, with a body of water stretching into the distance. The sky is heavy with clouds, and smoke curls from one of the buildings.

The title tells us this is a real place called Hellandshoin, and the artist wanted to show its peaceful, rugged feel. The print was made in 1834, so it’s from a time when landscapes like this were often seen as wild and untamed.

If you like this style, check out the Victoria and Albert Museum for more prints like it.

Overview

Mills on the Fi-eld near Hellandshoin is a print by Edward Price, created in 1834. It depicts a serene, misty valley with a mill, wooden huts, and a steep mountain backdrop. The work is part of a larger book containing 21 prints with accompanying text, bound in blue with a red cover.

Subject & Meaning

The print captures the peaceful, rugged essence of Hellandshoin, a real location. The scene conveys a sense of wilderness and tranquility, characteristic of early 19th-century landscape representations of untamed nature.

Technique & Style

While specific technical details of the print are not provided, the misty, atmospheric rendering suggests the use of mezzotint or a similar technique conducive to capturing subtle, nuanced landscapes, common in the era.

History & Provenance

Acquired by the Victoria and Albert Museum in 2015, the print is part of the extensive Lennox-Boyd collection, which includes over 50,000 British mezzotints and various printed materials, reflecting the collector's diverse interests.

Context

Part of a broader collection that encompasses not just prints but also 18th-century picture frames, ephemera, and other antiquities, the work reflects the collector's, Hon. Christopher Lennox-Boyd, eclectic approach to gathering British cultural artifacts.