Artwork

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No. 5

Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 5, by Stefano Della Bella, 1646
Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 5, by Stefano Della Bella, 1646

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No. 5 is a print by the Baroque artist Stefano Della Bella. It dates from 1646 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

This 1646 etching by Stefano della Bella is the fifth piece in a series of ornamental designs, showcasing the artist's proficiency in decorative composition. It features an intricately detailed, empty frame adorned with foliage and ribbons, topped by two cherubs, one of whom holds a helmet.

Subject & Meaning

The subject is a highly ornamented, vacant frame, emphasizing the beauty of decorative elements over the absence of a central image. The inclusion of cherubs and a helmet may allude to celebratory or commemorative contexts, though the specific meaning remains open to interpretation.

Technique & Style

Executed with meticulous line work, the etching achieves a textured, dynamic quality through curled and twisted motifs, characteristic of Baroque ornamentation. The level of detail underscores della Bella's skill in capturing depth and movement in a two-dimensional format.

History & Provenance

Created in 1646 by Florentine artist Stefano della Bella, this work is now part of the Cleveland Museum of Art's collection, reflecting the institution's interest in 17th-century European printmaking.

Artist & collection

Portrait of Stefano Della Bella

Artist

Stefano Della Bella

Stefano della Bella (18 May 1610 – 12 July 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.