Artwork

Untitled

Untitled, by Suzuki Harunobu, ink, 1748
Untitled, by Suzuki Harunobu, ink, 1748

Untitled is an ink print by the Baroque artist Suzuki Harunobu. It dates from 1748 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This 1748 woodblock print by Suzuki Harunobu presents a domestic scene in which a woman in a vivid kimono rests against a wooden post, reading a letter. A small carp hangs from the sleeve of her garment, adding a subtle detail to the composition. The work is executed in ink and color on paper, typical of the ukiyo‑e genre.

Subject & Meaning

The central figure is a young woman engaged in a private act of correspondence, suggesting intimacy or anticipation. The presence of the carp, a species often associated with good fortune, may allude to a lover’s token or a symbolic wish for prosperity, lending the image a gentle, personal narrative.

Technique & Style

Harunefu employed the traditional woodblock method, carving separate blocks for each hue and for the defining black outlines. The palette is restrained, dominated by soft pinks, blues, and grays, which contrast with the crisp line work, creating a delicate yet clear visual effect characteristic of early ukiyo‑e prints.

History & Provenance

Produced in 1748, the print was part of Harunefu’s effort to make affordable artworks for a broad audience, extending beyond elite patrons. Its circulation reflects the growing market for printed images among everyday consumers in mid‑eighteenth‑century Japan.

Artist & collection