Artwork

Paulina (1784–1823), First Wife of Sir Codrington Edmund Carrington

Paulina (1784–1823), First Wife of Sir Codrington Edmund Carrington is an oil painting by the British Romanticist artist Thomas Lawrence. It dates from 1806 and is held in the collection of the Victoria and Albert Museum.

About this work

The woman's attire and hairstyle suggest a formal setting, possibly from the early 19th century.

This portrait depicts a woman with dark hair, wearing a white dress and a red necklace. She is positioned in front of a dark background, with her body turned slightly to the right.

The woman's attire and hairstyle suggest a formal setting, possibly from the early 19th century. Her direct gaze engages the viewer, creating a sense of intimacy.

To learn more about the artist behind this work, explore the art of Thomas Lawrence.

Overview

Painted in 1806 by Thomas Lawrence, *Paulina (1784–1823), First Wife of Sir Codrington Edmund Carrington* is an oil portrait of Paulina, characterized by a formal, intimate depiction of the sitter.

Subject & Meaning

The portrait captures Paulina with a direct, engaging gaze, conveying a sense of personal connection. Her attire—a white dress and red necklace—suggests a formal, early 19th-century setting, reflecting her social status as the wife of Sir Codrington Edmund Carrington.

Technique & Style

Executed in Lawrence's polished oil painting style, the work features a dark background that contrasts with Paulina's white dress, drawing focus to the subject. The composition, with her body turned slightly to the right, exhibits the nuanced, naturalistic portraiture typical of the British Romantic movement.

History & Provenance

Created during the peak of Thomas Lawrence's career, when he was a favored artist among British elites, the painting is now part of the Victoria and Albert Museum's collection.

Context

This portrait reflects Lawrence's role in capturing the likenesses of prominent British figures during the early 19th century, aligning with the artistic preferences of the British Romantic era.

Legacy

As part of Lawrence's oeuvre, *Paulina* contributes to the artist's legacy as a leading English portrait painter of his time, known for capturing the essence of his sitters with elegance and depth.