Artwork

Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana

Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana is an unspecified painting by the Baroque artist Unknown. It dates from 1712 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The painting portrays the moment when the divine twins, Krishna and Balarama, kneel before their parents, Vasudeva and Devaki, after rescuing them from captivity. Both sons touch the feet of the elderly couple, who are dressed in sumptuous robes, while a stark white wall dominates the background, underscoring the solemnity of the reunion.

Subject & Meaning

The scene captures the first encounter between the children and their parents since Krishna’s birth, emphasizing filial devotion and relief after years of enforced separation. The act of foot‑touching conveys reverence and gratitude, while the luxurious attire of all figures suggests a transition from suffering to restored fortune.

Technique & Style

Rendered in the Pahari tradition, the work employs a limited palette dominated by the characteristic blue of Krishna’s skin and the pale complexion of Balarama. The composition is simplified, with a near‑empty space behind the figures that focuses attention on their gestures and expressions, creating a contemplative atmosphere.

History & Provenance

The piece originates from the “Vertical” Bhagavata Purana series, a corpus of narrative paintings produced in the Himalayan hill kingdoms during the 18th‑19th centuries. It has been preserved within a private collection before entering the museum’s holdings, where it is displayed alongside other devotional illustrations from the same tradition.

Context

The narrative derives from the Bhagavata Purana, which recounts Krishna’s early exploits, including the slaying of a tyrant king and the liberation of his imprisoned parents. The stark white backdrop reflects the period of isolation described in the text, while the opulent clothing signals the auspicious turn of events following the rescue.