Artwork

Sculpture of the Patroness of Granada, Nuestra Señora de las Angustias (Our Lady of Sorrows), housed in the altarpiece of the Basilica de las Angustias

Sculpture of the Patroness of Granada, Nuestra Señora de las Angustias (Our Lady of Sorrows), housed in the altarpiece of the Basilica de las Angustias, by Unknown, photographic, 1850
Sculpture of the Patroness of Granada, Nuestra Señora de las Angustias (Our Lady of Sorrows), housed in the altarpiece of the Basilica de las Angustias, by Unknown, photographic, 1850

Sculpture of the Patroness of Granada, Nuestra Señora de las Angustias (Our Lady of Sorrows), housed in the altarpiece of the Basilica de las Angustias is a photographic photography by Unknown. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

A photograph from John Singer Sargent's collection depicts a small wooden sculpture of Nuestra Señora de las Angustias (Our Lady of Sorrows) within the Basilica de las Angustias in Granada, Spain. The image captures a poignant, close-up view of the sculpture, emphasizing its emotional intensity.

Subject & Meaning

The sculpture portrays the Virgin Mary in profound grief, conveyed through her contorted facial expression, clasped hands, and deeply carved robe folds. As the patroness of Granada, this representation embodies sorrow and devotion, evoking a personal connection in the viewer.

Technique & Style

The sculpture's emotional depth is achieved through the carver's emphasis on expressive facial features and intricate, shadowed drapery. The photograph, likely purchased from a local professional, captures these details, though its own technical attributes are not distinctive, serving primarily to document the artwork.

History & Provenance

The photograph was part of John Singer Sargent's collection of 611 images, reflecting his travels and artistic interests. Donated to the Museum by his sisters in 1925, it was valued for educational purposes, particularly in sculpture and library collections.

Context

The sculpture is integrated into the grand altarpiece of the Basilica de las Angustias, yet the photograph isolates it, highlighting its individual emotional impact. The image's inclusion in Sargent's collection suggests his appreciation for religious art and Spanish heritage.

Legacy

As part of Sargent's donated collection, the photograph contributes to the Museum's educational resources, offering insight into both the sculpture's artistic significance and Sargent's eclectic tastes. The broader collection enriches understanding of late 19th and early 20th-century artistic interests in global architecture and sculpture.

Artist & collection

Artist

Unknown

entity whose identity is not known