Who painted Utensils used at the Kiku no sekku, 9th day of 9th month?

Utensils used at the Kiku no sekku, 9th day of 9th month was painted by Unknown in 1877.

Where can I see Utensils used at the Kiku no sekku, 9th day of 9th month?

Utensils used at the Kiku no sekku, 9th day of 9th month is held by Victoria and Albert Museum.

What movement is Utensils used at the Kiku no sekku, 9th day of 9th month?

Utensils used at the Kiku no sekku, 9th day of 9th month is associated with Impressionism.

Artwork

Utensils used at the Kiku no sekku, 9th day of 9th month

Unknown , 1877

Utensils used at the Kiku no sekku, 9th day of 9th month is a paint painting by the Impressionist artist Unknown. It dates from 1877 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This painting depicts a carefully arranged set of utensils used during the Kiku no sekku festival, traditionally celebrated on the ninth day of the ninth month. The still life composition features a vase with yellow and pink flowers, a teapot, and a patterned red dish, characterized by muted tones and a balanced arrangement.

Subject & Meaning

The subject matter references Kiku no sekku, a festival honoring chrysanthemums, longevity, and the ninth lunar month. The depicted utensils suggest a serene, ritualistic setting, emphasizing harmony and balance.

Technique & Style

Executed in muted shades of brown, green, and blue, the painting employs realistic techniques to render the textures and forms of the utensils and flowers. The overall calmness and attention to detail align with principles of Realist painting.

History & Provenance

Acquired by the museum in 1905 from Miss Mary Dresser, the painting was part of a larger collection previously owned by Christopher Dresser, recorded in the museum’s Register of Drawings.

Context

Created for a festive occasion, the painting reflects the cultural significance of Kiku no sekku in traditional celebrations, while its artistic approach situates it within the broader context of Realist still-life painting.

Legacy

While not widely recognized beyond its cultural and festive themes, the painting provides a nuanced example of Realist still-life art applied to a specific Japanese ceremonial context.