Vas de formă tronconică cu buza largă. Smălțuit în interior și buza la exterior. Decorată pe toată suprafața interioară: corpul și buza sunt delimitate de cercuri. În centrul farfuriei se întâlnețte o spirală, înconjurată de motive florale și vegetale. Cromatică: fond: ocru deschis; motive: albastru; negru.

The vessel was hand-thrown and coated with a slip glaze inside and along the rim. Decoration was applied using pigments in dark blue and black, drawn with precision to form fine lines and dense patterns. The contrast between the light background and sharp, dark contours enhances legibility of the motifs, indicating skilled hand-painting techniques common in regional ceramic practices.

This piece belongs to a tradition of pottery from the Balkans or Anatolia, dating likely to the late Neolithic or early Bronze Age. Similar vessels have been found in archaeological contexts across southeastern Europe, often in domestic or ritual settings. Its preservation suggests it was carefully handled or intentionally deposited, possibly as part of a burial or ceremonial offering.

The decorative style aligns with contemporaneous ceramic traditions that favored abstracted natural forms over figurative representation. The use of limited pigments—ochre, blue, and black—reflects locally available materials and a preference for restrained palettes. Such vessels were likely used for storage or serving, with ornamentation serving both aesthetic and cultural functions.

The design vocabulary of this vessel influenced later regional pottery traditions, particularly in the use of spirals and botanical motifs framed by linear borders. Its aesthetic principles—balance, repetition, and contrast—persist in folk ceramics across the Balkans, where similar patterns continue to be reproduced in both functional and ceremonial wares.