National Gallery of Canada

The current building, opened in 1988, was designed by the renowned Canadian-Israeli-American architect Moshe Safdie. The structure is characterized by its striking exterior of pink-granite walls and extensive glass windows. A defining feature is the three-tiered glass cupola, formed from rectangular glass and narrow steel supports, which illuminates the interior. The entrance lobby features pink-granite flooring and a distinctive four-meter-wide ramp sloping upward towards the west. The building also houses the Taiga Garden, an interior courtyard designed to reflect the Canadian landscape.

The Gallery's permanent collection comprises over 93,625 works spanning European, American, Asian, Canadian, and Indigenous art. The Canadian collection features works from the 18th century to the present, including a significant number of pieces by the Group of Seven. The Indigenous collection, which saw a major shift in mandate from the 1980s onwards, includes works by prominent Indigenous artists. The European and American holdings include masterpieces by artists such as Rembrandt, Rubens, Monet, and Degas, acquired through purchases and gifts over the last century.

The Gallery maintains a substantial prints and drawings collection of 27,000 works on paper, dating from the 15th century to the present. This includes approximately 10,000 works by Canadian artists, with over 800 by the Group of Seven. The Asian collection, which began in the early 20th century, holds approximately 400 works dating from 200 CE to the 19th century, originating from various private collections. These specialized collections provide deep insights into artistic techniques and cultural exchanges across different eras and regions.

The National Gallery of Canada plays a crucial role in Canada's cultural landscape, serving as a national responsibility by sending exhibitions and loans to museums across the country. It has sponsored Canadian art internationally through events like the Venice Biennale and exhibitions in cities such as Tel Aviv and Beijing. The Gallery's research in conservation and art history is considered exemplary, and it utilizes various media to communicate with the public. Its evolution, particularly the expansion of its Indigenous mandate, reflects a broader commitment to representing the full spectrum of Canadian artistic expression.