Onze-Lieve-Vrouwekathedraal

The cathedral is a masterpiece of Gothic architecture, characterized by its massive scale and intricate design. It features a single finished spire that reaches a height of 123 meters (404 ft), making it a dominant landmark in the Antwerp skyline. The original plan included two towers of equal height, but only the western tower was completed. The west portal is adorned with statues of early missionaries. The interior houses the graves of notable families, including the Rubens, Fourment, and Plantin families, with some stones relocated from the lost Saint-Michael's abbey church.

The cathedral's collection is anchored by three major works by Peter Paul Rubens, two of which were painted specifically for the building and remain in situ. 'The Elevation of the Cross' (1610-1611), a large triptych originally for the high altar of St. Walburga Church, depicts the crucifixion with dynamic, muscular figures. 'The Descent from the Cross' (1611-1614), commissioned by the Guild of the Arquebusiers, features a dramatic diagonal composition of figures lowering Christ's body. 'The Assumption of the Virgin Mary' is the third major Rubens masterpiece located within the cathedral, completing this unique artistic ensemble.

The Cathedral of Our Lady is of immense significance to art history, particularly for its preservation of Rubens' early Baroque masterpieces in their intended architectural settings. It played a crucial role in the history of music, with its choir developing an active musical life from the early 15th century onwards. As a World Heritage site, it represents the pinnacle of Gothic architecture in Belgium and stands as a symbol of Antwerp's resilience through centuries of religious conflict, war, and restoration. The cathedral continues to serve as a vital center for Christian faith and cultural education in the region.