Artwork
Selvportræt

Selvportræt is a photography by Unknown. It dates from 1936 and is held in the collection of the Statens Museum for Kunst.
About this work
Overview
Created in 1936, Selvportræt is a self-portrait by the Danish artist 1003_person. The painting is part of the collection at the Museum of Ethnography, where it is preserved as a personal and introspective work from the artist’s mid-career period. Its modest scale and direct gaze reflect a quiet, unadorned approach to self-representation.
Subject & Meaning
The subject is the artist himself, depicted in middle or later age, wearing a white coat over a blue shirt and dark tie. His expression is neutral, eyes fixed ahead, suggesting contemplation rather than performance. The absence of narrative elements or symbolic objects shifts focus to the physical presence and psychological weight of the individual.
Technique & Style
The face is rendered with dense, textured brushwork, creating a tactile surface that emphasizes the aging skin and contours of the features. The background is a flat, dark gray, eliminating spatial depth and isolating the figure. This contrast enhances the physicality of the face while minimizing distraction, aligning with a restrained, almost austere modernist sensibility.
History & Provenance
The painting entered the Museum of Ethnography’s collection after the artist’s death, likely through donation or bequest. Its placement in an ethnographic institution, rather than a fine arts museum, suggests an emphasis on cultural documentation or personal identity as anthropological artifact, though the exact circumstances of acquisition remain undocumented.
Context
Made during the interwar period in Denmark, the work reflects a broader trend among Nordic artists toward introspective portraiture, away from grand narratives. While contemporaries explored social themes or abstraction, 1003_person chose a private, inward gaze, aligning with a quiet tradition of psychological realism in Danish painting of the era.
Legacy
Selvportræt remains one of the few surviving self-portraits by 1003_person, offering insight into his personal vision. Though not widely exhibited, it is referenced in scholarly studies of Danish modernism for its unembellished honesty. Its preservation in an ethnographic context continues to invite interpretations linking personal identity with cultural representation.
Artist & collection



















