Who painted Studie af fersken, æble og pære?

Studie af fersken, æble og pære was painted by Unknown in 1749.

Where can I see Studie af fersken, æble og pære?

Studie af fersken, æble og pære is held by Statens Museum for Kunst.

What movement is Studie af fersken, æble og pære?

Studie af fersken, æble og pære is associated with Baroque.

Artwork

Studie af fersken, æble og pære

Unknown , 1749

Studie af fersken, æble og pære is an unspecified work on paper by the Baroque artist Unknown. It dates from 1749 and is held in the collection of the Statens Museum for Kunst. Created in 1749 by the artist known as 1342_person, this watercolor depicts a modest still‑life arrangement of fruit.

About this work

Overview

Created in 1749 by the artist known as 1342_person, this watercolor depicts a modest still‑life arrangement of fruit. The composition consists of nine items organized in three horizontal tiers, each tier featuring a single type of fruit—peaches, apples, and pears. The work is part of the collection of the Museum of Ethnography.

Subject & Meaning

The painting presents a straightforward study of everyday produce, emphasizing the natural forms and subtle colour variations of each fruit. By grouping the items in orderly rows, the artist draws attention to the comparative qualities of the three species, inviting contemplation of their textures and the quiet harmony of a simple banquet.

Technique & Style

Executed in watercolor, the piece achieves a gentle translucency that captures the delicate surface of the fruit skins. Fine brushwork renders the contours and shading with a realistic precision, while the medium’s inherent softness softens edges, lending the scene an understated elegance without overt dramatization.

History & Provenance

Since its creation in the mid‑18th century, the work has remained within institutional holdings, eventually entering the Museum of Ethnography’s collection. Its attribution to 1342_person is documented in the museum’s records, and the piece has been displayed as an example of the period’s interest in detailed natural observation.