Who painted Simo and his former slave Sosia. From Terence´s Andria.?

Simo and his former slave Sosia. From Terence´s Andria. was painted by Unknown in 1803.

Where can I see Simo and his former slave Sosia. From Terence´s Andria.?

Simo and his former slave Sosia. From Terence´s Andria. is held by Statens Museum for Kunst.

What movement is Simo and his former slave Sosia. From Terence´s Andria.?

Simo and his former slave Sosia. From Terence´s Andria. is associated with Romanticism.

Artwork

Simo and his former slave Sosia. From Terence´s Andria.

Unknown , 1803

Simo and his former slave Sosia. From Terence´s Andria. is a photography by the Romanticist artist Unknown. It dates from 1803 and is held in the collection of the Statens Museum for Kunst. Created in 1803 by the artist known as 241_person, this image titled “Simo and his former slave Sosia.

About this work

Overview

Created in 1803 by the artist known as 241_person, this image titled “Simo and his former slave Sosia. From Terence’s Andria.” is part of the collection of the Museum of Ethnography. It depicts a scene drawn from the ancient Roman comedy Andria, presenting characters in a setting that evokes classical urban life.

Subject & Meaning

The composition centers on a man in a blue shirt and brown trousers leading a sheep, accompanied by a group that includes a black figure in a white shirt and another individual holding a sizable object. The arrangement suggests a moment of ordinary activity, reflecting the everyday interactions of characters from the play.

Technique & Style

Rendered in a manner characteristic of 241_person’s focus on quotidian scenes, the work combines clear figurative representation with a modest palette. Classical attire and architectural elements such as columned buildings frame the figures, reinforcing the historical context while maintaining a straightforward visual narrative.

History & Provenance

Since its creation in the early nineteenth century, the image has remained within institutional holdings, currently residing at the Museum of Ethnography. Its acquisition history is not detailed beyond this present custodianship.

Context

The image draws directly from Terence’s comedy Andria, a Roman play that explores social relations and identity. By portraying Simo and his former slave Sosia, the work engages with themes of status and domestic life that were central to the original drama.